Photography · Drone · Video
Visual Production
Theactualcar,shotintheactuallight.Nothingstoodinforanything.
LocationsgetscoutedfortherighthourandshotonarealsensorinRAWandLOG.Nostockplate,noinventedsky.Theframeistheplaceitwastaken,fixedinthegradeinsteadoffakedinit.
How it runs, start to shipped, one pair of hands
- 01
Scout & plan
Location reconnaissance, light conditions at the right time of day, shot list agreed in advance. Preparation is what makes shoot day efficient.
- 02
Shoot
Sony mirrorless for stills, DJI Air 3 for aerials, FPV for dynamic sequences. Always RAW or LOG.
- 03
Edit
Lightroom and Photoshop for photos. DaVinci Resolve for video. Colour grade matches the brief, not a preset.
- 04
Delivery
Full-resolution masters, web-optimised exports, social crops in correct aspect ratios. Fast turnaround.
What it covers
- 01
Automotive Photography
Detail shots and full-car coverage, outdoor and studio, lit and angled so the car looks like it belongs in a magazine, not parked on a forecourt with the fluorescents on.
- 02
Product Photography
Clean on-white for e-commerce, lifestyle contexts for campaigns, close detail shots for technical sheets. RAW delivery, colour-accurate to the actual product, not corrected to look better than it is.
- 03
Aerial (DJI Air 3)
Cinematic aerials for architecture, real estate, events and landscapes, flown for the shot the brief actually needs rather than a generic flyover. 4K/60fps, stabilised, colour graded in LOG.
- 04
FPV Drone
Fast, dynamic footage for car reveals, action sports and venue coverage: low, fast, and through gaps a normal drone can't fly.
- 05
Video Production
Brand films, product showcases, short documentaries, carried from concept through the shoot and into the edit by the same person who scouted the location. What comes back is a finished film, not footage for someone else to make sense of.
Shot on Sony and DJI, graded in DaVinci and Lightroom, never rescued with stock.
Same hands, next discipline